¿Quién dijo que la flauta dulce "es fea"?

Con esta publicación solamente pretendo mostrar que no hay instrumentos musicales feos, simplemente se trata de saberlos tocar. En este vídeo podremos apreciar cómo la flauta dulce o flauta de pico, cuando es tocada "con maestría", tal como lo hace esta joven holandesa de tan solo veinte años, es como cualquier otro instrumento musical, una maravilla. Animaos a practicar con paciencia y algo de esfuerzo, que es el único camino para aprender cualquier cosa, desde patear un balón tal como lo hace Messi hasta tocar cualquier instrumento de música, tal como lo hace Lucie.

Peggy Sue (subtitulado español)

Here I leave you this song with Spanish subtitle.

Peggy Sue

Here I leave you the video of this song with the lyrics

Falling slowly

Here I leave a subtitled version of this song.

Beethoven: Violin Sonata no. 5 in F major, op. 24

Here we have a clear example of acompanied melody, a texture belonging to the polyphonic texture.

J. S. Bach, Fuga nº 2 del "Clave bien temperado"

Belonging to the polyphonic texture, here we can see the contrapuntal writing, in which different voices follow each other imitating their musical motifs.

J. S. Bach, "Befiehl du deine Weige"

This is a clear example of homophonic texture, belonging to the polyphonic texture.

Introito Lux fulgebit, Gregorian chant.

Peggy Sue

"Un bel di vedremo", Madame Butterfly, G. Puccini

Tears in heaven by Eric Clapton

Andante Sinfonía nº 94 La Sorpresa F. J. Haydn

Summertime Norah Jones

Marisa Monte, Danza da Solidao

FORMA SONATA

Baroque music

Baroque period from pablosimon222

Johann Sebastian Bach, Toccata and Fugue, musicografía

Johann Sebastian Bach, Toccata and Fugue, Jazz version

Johann Sebastian Bach, Toccata and Fugue, electric guitar version.

Johann Sebastian Bach, Toccata and Fugue, brass instruments version

This is the Toccata and Fugue by Johann Sebastian Bach, in a version arranged for brass quintet.

Johann Sebastian Bach, Toccata and Fugue in D minor.

This is the original composition by J. S. Bach, to be played by pipe organ, a keyboard instrument.

"Ecce Gratum", Carmina Burana, Carl Orff

In this video you can follow the lyrics in Latin language as well as in English language.

"Ecce Gratum", Carmina Burana, Carl Orff

In this video, you can follow the lyrics in Latin language as well as in Spanish language.

Imagine-John Lennon

Tchaikovsky, Vals de las flores

Listen, check and think: listen carefully the next music and identify the tempo, the natural stresses and determine the time signature.

G. F. Händel, Minuets I y II from the Royal Fireworks

Vivaldi Four Seasons: "Winter" (L'Inverno)

A. Vivaldi - Concerto Op 8 nr 5: La Tempesta di Mare - Giuliano Carmignola

The "CONCERTO" is a music form written for one or many different soloist instruments and orchestra. When there is more than one soloist, a concerto is called "CONCERTO GROSSO".

This is a CONCERTO for one violin soloist and orchestra. The CONCERTO usually is written in three contrast movements, fast, slow, fast; sometimes is written with a first slow movement, then it has four movements.

Corelli Sonata 1 op 5

A. Corelli, Corelli - Sonata da chiesa op. 3 n. 2 in Re maggiore

The "SONATA" was written for one or various soloist instruments and was composed in four movements of contrasting tempos, for example Grave-Allegro-Adagio-Presto.

"Que no me los ame nadie"

Con esta herramienta podéis practicar esta partitura, ajustando la velocidad (tempo) a vuestras necesidades.

J.S.Bach, "Orchestral Suite nº 2"

The SUITE was composed in various movements of different characters and rhythm, although in the same key and with a similar structure. Each of the movements were inspired by ancient dances.

Badinerie (17´09´´)

G. F. Händel, Oboe concerto in G minor, nº3.

The "CONCERTO" is a music form written for one or many different SOLOIST INSTRUMENTS and ORCHESTRA. When is more than one soloist, a concerto could be called a "CONCERTO GROSSO". (Allegro 2´35´´)

Giovanni Gabrieli, "Sacra Symphonia Sonata Pian'e Forte"

In the Boroque period, the "SONATA" was written for one or various soloist instruments and was composed in different movements of contrasting tempos. In this case, this sonata belong to the brass wind family instruments.